Category: music


Muzzikk…..

👌 choreography…. Expressin’ wid hands …👇

Dream pop

navigating thru the mystical world of dream pop……last year was beach house …today -youth lagoon . still not tired of bh- tc

Halfway thru

…. 5 mths 2 go. … past 7mths of sloggin’… hope to be spared from the heat stroke for the remainder of summer in this hilly terrain …. mountains all around ….. No complaints ‘coz of the amazing view of sunset , mountains from terrace….cud get lost gazing@ the sky ,clouds….. #Mood=#song

Coco’s lunch and The Prophet

17th November 2013 –  mom’s b’day  – took her to the dance ballet which she enjoyed too, differed from my usual single outings…, Prophet –  profound  – self reflective , apt in India – are people drawn to the prophet by the serenity of countenance or is his/her countenance of  serenity a mask to gain followers /disciples /ulterior motives ????  I dance no more on a stage , ‘coz the world is my stage now and the rhythms of the nature are  my dance beats ……….. deep dialogue ,accompanied by an amazing narrative voice ……… impressed by the artistic /talented duo – srikanth -savitha.

24th Nov  2013 -Could not attend Plaistow , but Coco’s lunch (24th Nov) more than made up for it – reminded me of all the wonderful carribean (and soothing bolivian ) mixtapes dad brought from London  , shared with him by  trainees from Africa ….. when I was a kid …………but amazing , the way the band fused Carnatic with Western …..and the Afro beats – out of this world ……….foot starts tapping to the beat –  “involuntary rhythmic movements ” ….too much of neurology hangover……Go NovFest !….

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This soulful piece of music was made popular by the auteur Wong Kar Wai by using in his film  , the perfect accompaniment to his slow motion sequences  . I haven’t seen the film , but the music and his style has been the inspiration for many spinoffs   . Coupling this  with  Kill Bill –  Green hornet ,  to  fully savour  the   masterpiece .

It’s time for sound intervention | The Hindu.   Excerpt:

Acouple of years ago, 18-year-old Ram couldn’t communicate and was even incapable of making eye contact. Now, after many sessions of Carnatic music therapy, this boy with autism shows expressions on his face and is able to speak a little. Fifteen-year-old Tejas has got over her stammer, while 50-year-old Lalitha has gone back to her cheerful self after undergoing depression following menopause.

This transformation was brought about by Carnatic musician and music therapist Rajam Shanker, who works with various medical and rehabilitation professionals and organisations in India and abroad. A member of the World Federation of Music Therapy, Life Member of NADA Centre for Music Therapy and Research and other organisations, Rajam has made presentations on therapeutic aspects of Carnatic music at prestigious forums such as the European Music Therapy Congress at Cadiz, Spain, and the World Congress of Music Therapy at Seoul, South Korea.

……………Carnatic music has always been acknowledged as a structured art form with a fantastic repertoire of ragas, swaras , shruti and talas . “This structured framework allows for calibrated delivery of music therapy. Its potential for infinite improvisations also allows it to be tailored to suit different individuals, making Carnatic music an effective tool for therapy. Besides, Indian classical music has a spiritual connect,” says Rajam, who uses Carnatic music to treat autistic children and adults, slow learners, those with neurological problems, and those undergoing depression. Based on an individual’s age, health and emotional status, work schedule, colour and food choices, body constitution, etc, Rajam arrives at the precise raga and the right pitch for treatment. She starts by making the person listen to the raga. Those undergoing treatment are gradually made to sing if they can. While singing is more potent, it is not an absolute necessity; lyrics of the song are not sacrosanct; and musical training or knowledge is not a prerequisite either. Rajam employs nada anusandana, the ancient tradition of evoking sound from the body’s energy centres. She explains, “The human body responds to physical and neural communication, and music, deployed in a calibrated dosage evokes a positive response.”While singing is more potent, it is not an absolute necessity; lyrics of the song are not sacrosanct; and musical training or knowledge is not a prerequisite either

 

 

A rare musical library

I hope the day isn’t far off for an exhaustive online library tracing the roots of Indian film melodies ….both old and new…..to carnatic raagas and folk music….the folk songs of India are a dying tradition , and its futile to google the raaga on which the song is based , because nothing  turns up even after 20 pages of searching…….doesn’t really matter to me …….but makes a lot of difference to traditional music aficionados like my dad .

A rare musical library in town – The Hindu.

The collection is a treasure trove for classical music lovers.

They can read articles, books, journals on Carnatic music and listen to rare audio and video recordings of renowned musicians, thanks to Saptaparni, which launched ‘Swara Raga Nidhi’ – Musical Archives library on Ugadi. “The inspiration for preserving the treasures of our Carnatic music came from the late Palagummi Viswanadham,” says Rajani Vakkalanka of Saptaparni and adds, “The maestro didn’t want the books to be confined to individuals and book shelves. He would say, ‘We have this treasure, it should not end with us. It should go to people and we should pass it on to the next generation.” “One can sit in a peaceful atmosphere here amidst books and continue reading. The ambience creates the mood,” he says and adds, “It is a humble start. We don’t want to be greedy and accumulate thousands of books.”

If you are done with reading, one can even listen to the audio recordings of legends like M.L. Vasantha Kumari, Voleti Venkateswarlu, Srirangam Gopalaratnam and M.S. Subbulakshmi amongst others.

“There is a big collection of rare recordings in the form of audio cassettes. We are in the process of digitising these audio tapes and it is quite a big project,” smiles Rajani. Nevertheless, some recordings have been digitised.

A user-friendly software SMILE (Saptaparni Musicals Interactive Library and Encyclopaedia) installed by Chamarthi Radhakrishna, a retired scientific officer at Thumba helps music lovers to listen to the recordings. “At present we have the recordings of Carnatic vocalists and instrumental artistes. We will eventually have the Hindustani music recordings too,” says Anuradha Reddy who signs off, “We have taken a small step and hope to take it positively forward.”

killer thrillers

was thinking of how a good ost can make all the difference to a  thriller – movie or tv show………..and you get to know artists you’ve never heard before, not only indie films………which have an excellent combo of gr8 story+indie artists……….especially world cinema – french thriller with a few retro english artists  thrown in the background for example  (though the japanese /korean  filmmakers rely on their soulful instrumental stuff for all genres  )…….is all that it takes  to set the tone required …………haunting or dark or just a subdued piece in the background  or simply  the music to go for a sleek tv show……………….the right  potpourri – musical and plot ingredients will turn it into a    ……… killer thriller

music

contd. from aug 2011…………

music

R.E.M. – Everybody Hurts

Title: R.E.M. – Everybody Hurts lyrics

Berry/Buck/Mills/Stipe)

When the day is long and the night, the night is yours alone,
When you’re sure you’ve had enough of this life, well hang on
Don’t let yourself go, ’cause everybody cries and everybody hurts sometimes

Sometimes everything is wrong. Now it’s time to sing along
When your day is night alone, (hold on, hold on)
If you feel like letting go, (hold on)
When you think you’ve had too much of this life, well hang on

‘Cause everybody hurts. Take comfort in your friends
Everybody hurts. Don’t throw your hand. Oh, no. Don’t throw your hand
If you feel like you’re alone, no, no, no, you are not alone

If you’re on your own in this life, the days and nights are long,
When you think you’ve had too much of this life to hang on

Well, everybody hurts sometimes,
Everybody cries. And everybody hurts sometimes
And everybody hurts sometimes. So, hold on, hold on
Hold on, hold on, hold on, hold on, hold on, hold on
Everybody hurts. You are not alone