http://www.marcandangel.com/2013/01/08/12-things-you-should-never-stop-doing/ –  Start doing these things now and never stop…

http://www.thehindu.com/todays-paper/tp-features/tp-sundaymagazine/memory-plays-truant/article4324629.ece Memory plays truant – Despite the rising number of people with dementia, awareness of the problem and support for caregivers is abysmal,………….. Where will we get nurses/helpers we can trust and who are also trained in dementia care?

http://www.thehindu.com/todays-paper/tp-features/tp-sundaymagazine/crime-and-punishment/article4324619.ece – Guilt and shame, inevitable human emotions that usually serve a constructive purpose, can sometimes assume pathological proportions.    (had  read Crime and Punishment  Fyodor Dostoyevsky – mentioned in this article – eons ago – shud read it again…………..)

http://www.thehindu.com/todays-paper/tp-features/tp-sundaymagazine/great-statesmen-great-lovers-of-books/article4303270.ece – The weather and temperature in Kerala imparted a special smell to those magazines. The heat, the golden light coming through the windows, the smell of mangoes and the silence broken only by the tick-tock of a clock on the ground floor: the summer of 62 is a summer never to be forgotten. My passion for reading grew stronger with every passing day. Very soon I agreed with Logan Pearsall Smith, “They say life’s the thing, but I prefer reading.”

http://www.thehindu.com/todays-paper/tp-features/tp-sundaymagazine/wellness-read/article4303279.ece

http://www.thehindu.com/todays-paper/tp-features/tp-sundaymagazine/dancing-with-the-divine/article4349452.ece

Dancing with the divine

The dance I dance becomes more beautiful each day,

When I can open my heart and swing both ways.

To feel for the ones I like and even those I don’t.

What a blessing to be shown,

That I can dance better being connected yet detached.

Involved in the music yet matching step

With the one I’m dancing with.

Being aware of the other’s grip

And of my hold, I was told,

Not to cling tight, but relax.

Yet fear of falling and failing can impede grace.

I also know one can be consumed in the race.

Of getting to some other wonderful place

That promises peace

And I start to relax right now into a space,

Where, my emotions do not make me ill at ease.

And in that softening

I find the opening to slip away

From grips that are hard

And hearts that are cold

The more I dance the less I fear

I glide away from the familiar

And yet it all seems the same

The dance where I twirl

Not afraid to unfurl

Into all my glory

I see myself entwined

Dancing with the divine

http://www.thehindu.com/todays-paper/tp-features/tp-sundaymagazine/treasures-of-spain/article4349453.ece –    Massive stone foundations and medieval ruins, dating back two thousand years, lie along the town’s plaza and now serve as a meeting point. The interiors of homes, cafes, restaurants, bars and even banks, are still adorned by Roman arches; their own personal souvenirs from history. The oldest shop that stands in the town dates back to the 1700s, and has been continuing its legacy of selling candles for almost 300 years. The cobbled streets culminate in the colossal Catedral de Tarragona, which is perhaps the only evidence of Moorish influence on the town; Romanesque, Gothic and Renaissance eras are equally reflected in the cathedral’s architecture.

The lane with the painted dividers.PhotoS: Shivya Nath

http://www.thehindu.com/todays-paper/tp-features/tp-sundaymagazine/blueprint-for-a-life/article4349446.ece  –  Mukund Padmanabhan looks back fondly at his days in the small and unusual Blue Mountain School, Ooty.  ……………was pleased to see “the school beginning to smarten up a bit and the children looking a bit less… wild.” I was extremely pleased to learn that it was Pearce who thought up asthachal , that simple but beautiful practice where children collect on a hillock in the evenings to watch the sun go down in quiet reflection.

http://www.thehindu.com/sci-tech/internet/the-great-tech-party/article4344353.ece

http://www.thehindu.com/todays-paper/tp-features/tp-fridayreview/an-interface-between-art-and-heritage/article4342146.ece

Landmark event:(Clockwise from left) An installation by Subodh Gupta; Ibrahim Quraishi's installation titled ‘Islamic Violins'; Artist K. Raghunadhan with his unfinished work; an installation made by students of art design and communication of CEPT University, Gujarat.Photos: H. Vibhu, K.K. Mustafah,Thulasi Kakkat

Landmark event:(Clockwise from left) An installation by Subodh Gupta; Ibrahim Quraishi's installation titled ‘Islamic Violins'; Artist K. Raghunadhan with his unfinished work; an installation made by students of art design and communication of CEPT University, Gujarat.Photos: H. Vibhu, K.K. Mustafah,Thulasi Kakkat

Yuko Hasegawa, chief curator of the Museum of Contemporary Art Tokyo and currently preparing to host the Sharjah Biennale, expresses the same sentiment. “The city of Kochi with its layers of architectural historicity has definitely been tapped by the project hosts. The biennale has used historical heritage to a very good sequence,” she says, adding that on her first visit itself the biennale gets the viewers right into the different aspects of the city. In most other biennales she feels that the dialogue with the city goes missing.

To commence and continue this dialogue, is what Bose says, has been his main aim. “We have intentionally stressed on the cultural aspect,” he says. Driven by the wish to extricate art from the white cubes and open it up was one factor that comes across in the KMB. The Let’s Talk programme, its Educational Outreach programme, the cultural programmes that include theatre, music, performance arts and so on clearly take art to the people in a way never accessed before.

Chris Dercon, director of Tate Modern, senses that openness when he says: “What IS different is that this biennial functions as a perfect vehicle for ‘performing the difference’: a public friendly ‘diy (Do It Yourself) platform for visual culture’ initiated and organised by artists, with and for artists. As a platform it unites and re-unites Indian contemporary artists who are showing an intellectual and visual ‘togetherness’ as never before. As a visitor, everybody can step in and make up one’s mind.”

Art critic and culture theorist Ranjit Hoskote believes that the curators of the biennale have given credit to an audience ready to accept the changing face of art, showcased here. “Exhibitions, especially biennales, are opportunities to expand one’s mental and experiential horizons as viewers – they should not be reduced to fit the size of one’s assumptions. A great many of the works are geared to affect the viewer at a primal, sensory, sensuous level even before their conceptual strategies came into play – through smell, shadow, sound. Today, viewers are more willing to experiment with new artistic experiences than before.”